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Reconciling the gap between housing studio education in architecture and real-world challenges in affordable and sustainable housing provision through a commons-based approach.

Created on 30-10-2023

Community participation
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The traditional housing studio is designed to operate in isolation from the realities of people, (increased population mobility, climate crisis, extreme financialisation of housing, commodification of urban life etc.) fostering self-reference, competitiveness, and a false sense of primacy in spatial matters. Live studio methodologies have sought to break the silos of disciplinary boundaries and reconfigure the archetype of the architect, however due to the mostly acupuncture nature of their application on a global scale, the gap between education and real-world practices still persists.

Addressing this challenge would require broader, politically engaged approaches that profoundly challenge the foundations of architectural education and create continuous, non-transactional, equitable synergies for the co-production of knowledge and the co-curation of spatial practices in the urban landscape. By recognising the importance of commons-based approaches to architectural education (education as a commons) a more inclusive, engaged and holistic learning environment may emerge.

System knowledge

Actors

Universities

Local government

This denotes the administrative authority responsible for governing and managing local affairs within a specific geographic area, such as a city, town, or district, through local policies, regulations, and services.

Architects and designers

Residents

Local communities

Local associations

Local associations are community-based organizations or groups that operate at the neighborhood or municipal level, often with the goal of addressing specific local issues or promoting communal interests. They play a crucial role in facilitating grassroots initiatives, fostering civic engagement, and promoting social cohesion within a particular geographical area.

Method

Knowledge co-creation

A collaborative process in which individuals or groups with different backgrounds and expertise come together to generate new knowledge, insights or solutions collectively. This approach recognises that knowledge creation is not limited to experts or academics but can come from exchanging ideas, experiences and perspectives from various sources.

Transdisciplinary approach

A transdisciplinary approach in housing research involves integrating insights, methodologies, and expertise from diverse fields beyond traditional housing studies, such as sociology, economics, architecture, and environmental science, to address complex housing-related issues. This approach seeks to foster holistic, innovative solutions that account for the multifaceted nature of housing challenges and promote collaboration among experts from various domains.

Tools

Transdisciplinary collaboration

Transdisciplinary collaboration refers to a collaborative approach in which individuals from different disciplines and fields work together to address complex problems or research questions that require insights, methods, and expertise from multiple domains. This collaboration involves the integration of knowledge and perspectives from diverse backgrounds to develop innovative solutions or gain a comprehensive understanding of the issue at hand.

Target knowledge

Topic

Community engagement

Dimension

Social

This dimension relates to aspects influencing or impacting people, communities, and societal structures.

Level

Neighborhood

Transformational knowledge

Project

Citizen engagement

Partnership

Active participation of residents and communities

Sharing decision-making

Finding common ground

Fostering collaboration between different disciplines can enhance sustainable housing initiatives

Related case studies

Related vocabulary

Co-creation

Urban Commons

Area: Community participation

In a broader sense, co-creation means the joint effort of bringing something new to fruition through acts of collective creativity (Sanders & Stappers, 2008) which can be manifested in both tangible (making something together) or intangible (learning something together) outcomes (Puerari et al., 2018). Recently, the concepts of co-creation or co- production have been applied to describe the processes of participation in urban planning and design. Both terms place particular emphasis on the partnerships formed between citizens and the public sector, in which a high level of citizen involvement is pivotal. Participation has been defined through its different levels of citizen involvement, ranging from non-participation to greater degrees of citizen control (Arnstein, 1969) indicating the different levels of influence a participant can have on a participatory process. From the perspective of urban planning, citizen participation is beginning to be described as co-creation when citizens’ roles become more prominent, presenting aspects of self-organisation, increased commitment and a sense of ownership of the process (Puerari et al., 2018). Recent research is exploring new methods of urban planning in which citizens, the municipality and private organisations co-create new planning rules (Bisschops & Beunen, 2019). However, co-creation along with co-production and participation, often used interchangeably, have become popular catchphrases and are considered as processes which are of virtue in themselves. Furthermore, while there is substantial research on these processes, the research conducted on the outcomes of enhanced participation remains rather limited (Voorberg et al., 2015). This highlights the ambiguity in terms of interpretation; is co-creation a methodology, a set of tools to enhance and drive a process, or a goal in itself? (Puerari et al., 2018). There have often been cases where participation, co-creation and co-production have been used decoratively, as a form of justification and validation of decisions already made (Armeni, 2016). In the provision of public spaces, co-creation/co-production may specifically involve housing (Brandsen & Helderman, 2012; Chatterton, 2016) and placemaking: “placemaking in public space implies engaging in the practice of urban planning and design beyond an expert culture. Such collaboration can be described as co-creation.” (Eggertsen Teder, 2019, p.290). As in participation, co-creation requires the sharing of decision-making powers, the creation of  joint knowledge and the assignation of abilities between communities, while urban professionals and local authorities should draw attention to the active involvement of community members. Furthermore, co-creation does not take place in a vacuum, but always occurs within socio- spatial contexts. This points to the objective of co-creation as a tool to influence locally relevant policy through innovation that is “place-based”. To conclude, co-creation can be perceived as a process that is both transdisciplinary in its application, and as a tool for achieving transdisciplinarity on a broader scale through a systematic integration in existing standard practices in urban planning, housing design and architecture. Despite the persisting ambiguity in its definition, co-creation processes can provide more inclusive platforms for revisiting and informing formal and informal knowledge on sustainable and affordable housing.

Created on 16-02-2022

Author: E.Roussou (ESR9), A.Panagidis (ESR8)

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Area: Community participation

Urban commons are shared resources in the city that are managed by their users in a collaborative and non-profit-oriented way. The concept is based on the idea that urban resources and services that represent fundamental rights in the city should be accessible to and governed by the urban dwellers, to support the social capital and the sustainability of the urban communities. Hence, their value lies mostly in the social benefit produced during their use and they are therefore different from commodities that follow traditional market principles of profit maximisation and private ownership (Dellenbaugh-Losse et al., 2015). The concept of urban commons is an extrapolation in the urban context of the notion of commons which historically refers to natural resources available to all and not owned by any individual, such as air, water and land. The commons discourse became significantly popular thanks to the fundamental contribution of Elinor Ostrom (1990) and particularly after she was awarded the Nobel in Economics in 2009. Ostrom presented cases and design principals for the collective management of common resources by those that use and benefit from them, challenging the predominant negative connotations that had peaked with Garret Hardin’s (1968) Tragedy of the Commons where he analysed the impossible sustainability of common pool resources due to individual benefits. During the last fifteen years, a vast body of academic literature on urban commons has been produced, linking the notion to other urban theories, such as the right to the city (Harvey, 2008; Lefebvre, 1996), biopolitics (Angelis & Stavrides, 2009; Hardt & Negri, 2009; Linebaugh, 2008; Parr, 2015; Stavrides, 2015, 2016), peer-to-peer urbanism and sharing economy (Dellenbaugh-Losse et al., 2015; Iaione, 2015; Iaione et al., 2019; McLaren & Agyeman, 2015; Shareable, 2018). The notion of the urban commons encompasses resources, people and social practices (Dellenbaugh-Losse et al., 2015): Commons resources are urban assets of various types, characteristics and scales (Dellenbaugh-Losse et al., 2015). Examples of commons resources include physical spaces, such as community gardens, street furniture and playgrounds; intangible elements such as culture and public art; services such as safety; digital spaces, such as internet access. Urban commons literature and practices have attempted to determine several typological categorisations of the urban commons resources, the most notable being that of Hess (2008), who classified them as cultural, knowledge, markets, global, traditional, infrastructure, neighbourhood, medical and health commons. The commoners are the group that uses and manages the urban commons resources. It is a self-defined and organically formed group of individuals whose role is to collectively negotiate the boundaries and the rules of the management of the commons resources (Dellenbaugh-Losse et al., 2015). In a neighbourhood setting, for example, the commoners may be individual residents, or community groups, cooperatives, NGOs and local authorities. De Angelis and Stavrides (2010) points out that commoners might include diverse groups or communities that are not necessarily homogenous. Commoning refers to the collaborative participatory process of accessing, negotiating and governing the commons resources. The term was introduced by Peter Linebaugh (2008) and refers to the “social process that creates and reproduces the commons” (Angelis & Stavrides, 2010). Commoning is a form of public involvement for the public good (Lohmann, 2016). Commoning implies a commitment to solidarity and cooperation, to the creation of added value to the community, to democracy and inclusiveness and is connected to a hacking culture(Dellenbaugh-Losse et al., 2015). Hence, commoning practices can include various activities such as co-creation, capacity building and placemaking, support through learning, innovation, performing art, protest, urban gardening and commuting. In contemporary societies in crisis, the urban commons theory is often used as a counter-movement to the commodification of urban life and as a response to complex issues, proving essential for the well-being of marginalised communities and for the provision of affordable and sustainable housing. Urban commons management conveys the re-appropriation of urban values (Borch & Kornberger, 2015) breaking silos of expertise and knowledge by adopting a collaborative approach to defining and solving the problems at stake. The practice of urban commons helps to build values of openness, experimentation, creativity, trust, solidarity and commitment within stakeholder groups.

Created on 14-10-2022

Author: A.Pappa (ESR13)

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Related publications

Charalambous, N., Roussou, E., & Panayi, C. (2022, August-September). Co-creating urban commons through community-engaged pedagogies. In EAAE Annual Conference, Madrid, Spain.

Posted on 31-08-2022

Conference

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Panayi, C., Roussou, E., & Charalambous, N. (2023, August). Fostering transdisciplinarity and co-creation in architecture: from research to teaching and vice versa. In EAAE Annual conference 2023 School of Architecture(s), Turin, Italy.

Posted on 29-08-2023

Conference

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Blogposts

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Architectural education as commons: Smooth Conference

Posted on 07-06-2023

Last week I had the chance to participate in the three-day Smooth conference: Educational commons and active social inclusion in Volos, Greece, which brought together academics, educators and practitioners in various fields to discuss the implications of the commons for refiguring education and, as the organisers of the conference argue, and I agree, social change in general. By sharing experiences through presentations and workshops, the objectives of the conference were to bring into light diverse practices in terms of geographical, social and institutional characteristics and stress key challenges and opportunities of a commons-oriented education in reversing inequalities and informing political decision-making processes.   The emerging paradigm of commons became popular thanks to the fundamental work of Elinor Ostrom (1990) and is manifested on various examples of social formations around the co-governance of shared resources, based on values of co-responsibility, care, collaboration, sharing, and equality. The notion traditionally refered to natural resources but has been extrapolated in multiple domains, such as the urban realm, and seen as an emancipatory alternative to neoliberal tactics, such as the commodification and privatisation of public assets, offering in response self-sustainable social mechanisms of sharing urban resources, facilitated through social processes of commoning [1].   Understanding education as commons denotes a paradigm shift towards an action system that acknowledges students, their families and often local social groups as active actors in the educational process, fostered by commoning activities as pedagogical tools that promote collective decision making, inclusivity, openness and responsibility.   Whilst my interest focuses on the practical side of commons and specifically the contribution of space and in extension the potential role of design professionals in the development of urban commons practices, I find it intriguing to discuss architectural education becoming not only a commoning process itself, but a commoning process that equips architects with significant skillsets for practicing urban commons. In other words, I find it urgent to explore how architects gain knowledge on urban commons through commoning.   This was the driving question of our presentation “From teaching the commons to commoning teaching: towards a reflexive architectural education”, in which together with my friend Phryne Rousou and my supervisor dr Alexandra Paio we discussed the cross-pollination of our primary findings of two last year’s educational activities, to understand the contribution of commoning as a tool for knowledge production towards the development of social and operational skills of the future professionals. The first activity was a hands-on co-design and build workshop implemented in prototyping a relaxation area at the university campus in Nicosia, and the second, a scenario-based unstructured game of co-strategising urban commons in an empty plot at the university campus in Lisbon.   Along with our presentation, the focus of our session “Space and commons in education” covered a broad range of the understanding of commons in the field of architecture and engineering: from educational resources shared in common by the educational community and the society, such as open libraries of digital design and construction, participatory reuse of materials and knowledge; to methods of interactions across disciplines.   Most importantly, conceptualising architectural education through the ethics of commons lifted considerations on the role and positioning of future professionals, that imply inventing complex senses of democratic identities and transferable skills, while fostering links between educational and non-educational spaces and challenging constitutive processes, educational methods and existing epistemological references. _____________ [1] More information on the definition of urban commons can be found here.     Reference Ostrom, E. (1990) Governing the Commons: The Evolution of Institutions for Collective Action. Cambridge: Cambridge University Press. doi: 10.1017/cbo9780511807763.

Author: A.Pappa (ESR13)

Conferences

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Something is blooming in Nicosia: community-engaged design & build activities at UCY School of Architecture

Posted on 21-07-2023

Learning is never confined solely to an institutionalised classroom. - bell hooks, Teaching Community: a pedagogy of hope, 2003     At the end of June, the 1st official iteration of the co.design.build module at the University of Cyprus in Nicosia wrapped up successfully. A semester-long process, based on the co-creation and design & build methodologies resulted in the designing and building of a shaded sitting/meeting platform. The platform, named “Take a seed”, designed for the Latsia Highschool courtyard, aims to encourage user appropriation and foster a feeling of collectiveness, also considering educational aspects around native plants through the inclusion of a system for planting and seed distribution.   The co.design.build module involved three different courses: The Y2 housing co-creation studio, titled “co-creating urban commons: from the home to the neighbourhood”, in which students were tasked with critically think about the notions of “housing”, “sharing”, “co-living” and the “commons”, and designing housing that reflects their own positioning about these concepts. They were also asked to contemplate on the role of the local high school in Latsia’s suburb as a potential focal point in the future neighbourhood and spatially translate their vision in collaboration with the Y3 & Y4 students and with the high school students that participated in the semester-long co-creation workshops; The Y3, Y4 co-design course, titled “co-design, co-build, co-inhabit: co-creation from design to construction”, in which students collaborated with with high school students to co-design in detail small-scale spatial interventions answering to the actual needs of the school users, while promoting social interaction, encouraging appropriation; and The Y2, Y3, Y4 summer course, titled “co-design, co-build, co-inhabit: all hands on deck!”, in which students were tasked with constructing a selected project from the co-design course and delivering it to its users.   All of these different educational activities were created to both illustrate the dependencies of architecture, but also to challenge the ever persisting modernist, hetero-patriarchal norms, behavioural codes and stereotypes of the architect as an identity (what Jeremy Till refers to as “architecture culture” [1]), as well as their role in society. In the hopes of subverting false ideas of a detached practice, often unconsciously perpetuated within architecture schools, students were asked to navigate diverse situations, not necessarily confined to what would traditionally be considered “architectural”: from translating concepts into spatial elements, to conversing with stakeholders; or from managing social media campaigns, to solving material shortage problems. In essence, students were asked to find their bearings within a continuous fluctuation between real-world conditions and abstract imaginaries, beyond architecture and into spatial agency [2].   Specifically, during the final stage of the co.design.build module – the “building phase” –, students were asked to assume different mantles; builder, communicator, researcher, carer, mediator, enabler, among others. Within three weeks of continuous shifting between roles, of collective effort towards a goal with real impact on the high school community, students exhibited increasing levels of confidence in their own abilities, and their growing eagerness to take initiative and their ability to work together was translated into instances of self-organisation. Ultimately, this stage allowed each member of the group to bring in their own unique set of capabilities and personality and contribute in diverse, yet equally meaningful ways.   While all the activities of which the co.design.build module consists fall under a mode of learning called “experiential”, i.e. learning through experiencing [3], this final stage is perhaps a learning environment that ties experiencing with empathising. All this mantle-changing, the different roles and situations to which students are exposed, shifts “being” an architect, into “becoming” a spatial agent. While “being” signifies the uncritical appropriation of the norms and stereotypes that have been dominating architectural education, “becoming” implies motion, a constant re-working and re-discovery of the self, the knowledge and the tools we use, a joyful thrusting into new frontiers [4]. Architectural education, especially in challenging local contexts (post-colonial, developing, etc.), needs pedagogical vessels that fundamentally challenge architecture culture, which operate through tactical and direct action within the margins of the market economy, towards the creation of meaningful spaces for local communities.   There is still a lot of work to be done, but the aspiration for the co.design.build module for the future is to become a threshold, a gateway from architecture into spatial agency, and a medium through which the Architecture School of the University of Cyprus can become a crucial actor in matters concerning spatial interventions in Nicosia. After all, as Harris & Widder say, “the reality of building can only be experienced by building reality” [5].   If you would like to meet this year’s team, follow this spring semester’s project(s) and browse through past ones, follow us on social media: https://www.instagram.com/cocreationstudio.ucy/  https://www.tiktok.com/@takeaseed/                 [1] Till, J. (2009). Architecture Depends. The MIT Press. [2] Awan, N., Schneider, T., & Till, J. (2011). Spatial Agency: Other Ways Of Doing Architecture. Routledge. [3] John Dewey was a scholar of education who first developed the theory around experiential learning in 1938. [4] Sewell, J. I. (2014). “becoming rather than being”: Queer’s double-edged discourse as deconstructive practice. In Journal of Communication Inquiry (Vol. 38, Issue 4, pp. 291–307). SAGE Publications Inc. https://doi.org/10.1177/0022002714553900 [5] Harriss, H., & Widder, L. (2014). Architecture live projects pedagogy into practice.

Author: E.Roussou (ESR9)

Reflections

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